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1 Video Production (Atlanta, GA)

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Each year we run a special to kick off our fall season. Right now you can get a truck full of equipment and one crew member for a cost of $700 per day. There are a few conditions but that is basically it. No strings attached. You won't find a better deal than this to launch your indie or to shoot a corporate production. Here is what is on the trailer:

VIDEO:

3, SONY 4K PXW-FS5 cameras

3, Panasonic GH4 4K Cameras with SDI and XLR interfaces, camera cages, Matte Box, rail system, follow-focus and filter set, AC Adaptors

Lenses:
Rokinon CINE DS EF series 24mm, 35mm, 55mm, 85mm
Rokinon CINE DS MFT lenses 16mm, 25mm, 35mm, 85mm
Panasonic MFT lens 12-35mm zoom F2.8,
Panasonic MFT lens 35-100mm zoom F2.8

2, Canon B4 power zoom lenses 18-230mm
1 Fujinon B4 power zoom lenses 17-306mm

3, 4K video assist recorders and monitors with Pro Res HQ, Pro Res, Pro Res LT, Pro Res Proxy, DNxHD

Blackmagic STUDIO 4K 1M/E 10 input 4K video switcher
Blackmagic 8 input HD video switcher

Teleprompter with one “shoot through” beam splitter assembly. Also, can provide Executive prompter and/or actors “over the shoulder” prompt as well.

BrikPower Batteries and Chargers.

Hyperdeck 1080i recording is available at 10 Bit Pro Res 422 (HQ) OR Uncompressed Video. Each drive will run for 3.5 hours of record time for Pro Res and 108 minutes for Full Uncompressed RAW Video.

5, HD monitors
4, Lilliput 4K 7” monitors for camera focus assist
1, SDI monitor
1, Cineroid personal HD Viewfinder
8, Black Magic SDI converters, HDMI to SDI and HDMI to SDI, others
1, AJA SDI Distribution Amplifier

WEBCASTING:

Blackmagic Web Presenter x2
WireCast and Open Source Broadcast software

AUDIO EQUIPMENT:

Microphones and accessories;

2, Rode NTG3 overhead shotgun microphones
1, Audio Technica 835B shotgun microphone
3, Sony ECM-77 wired lavalier microphones
4, Sony ECM-44 wired lavalier microphones
1, Sennheiser portable wireless lavaliere system
3, Sennheiser wireless lavaliere base stations and 2, lavaliere microphones
2, Shure Beta 87 microphones and clips
6, Behringer C2 condenser microphones
1, MP2 direct box
2, Rolls MS20C audio splitter/combiner/isolator
4, UHF walkie-talkie
4, Sennheiser 835 microphones
2, ADK SC1 condenser microphones
1, Leitch XLR rack distribution amplifiers with 14 x 2 stereo or 28 Mono audio feeds


1, Bi-amped Renkus-Heinz PA System with Line-array style speakers, HF Ribbon Drivers, LF SUBS,
Peavey VSX26 Speaker Management system with computer sampling, PA eq and delay setup

AUDIO Recorders and Mixers;
PreSonus 32R Computer Controlled Mixer
PreSonus Capture Recording software computer interface
Zoom F8, 8-track mono, 2 track stereo, timecode recorder 10 track capability
4, Shure FP410 Intelligent automatic microphone mixers (total 16 channels)

Boom Poles;
1, LTM 4 Section Carbon Fiber Boom Pole - Measuring 2.7 to 9'
1, K-Tek 12’ aluminum audio boom pole
1, 9’ alumapole audio boom pole
1, 12’ foot alumapole audio boom pole

Audio Monitors; 2, Fostex portable audio monitors


Clear-Com 4 Channel Intercom System:
11, Single channel stations with belt packs and headsets,
7, Two-channel headsets and belt packs,
4, Two-channel Combiners to operate two channel headsets over xlr mic cable
2, Talent cue interfaces for talent headsets

2, Gentner Telephone Hybrids with Clear-Com interface

GRIP:
10, Matthews Rocky Mountain C Stands
10 Flag kit of various sizes from 4’x4’ to 18”x24”
2, Flexfill expandable reflectors
3, MSE Baby Plates with 5/8 “ studs
6, MAFER clamps with 5/8” studs
10, sandbags
1, 10 x 20 muslin green screen
8’ x 8’ Matthews Stretchy Green/Blue reversible green screen with 8’ Speed Rail frame12’ x 12’ Matthews Stretchy Green/Blue reversible green screen with 12’ Speed Rail frame

20, spring clips

4, Hollywood Triple Riser Roller Stands with Hollywood receiver and large Lollipop for arms or extensions. 13.6 feet
4, Hollywood Triple Riser Roller Stands 13.6 feet
2, 1000-watt portable dimmers
¬¬¬
LIGHTING:
7, 2000 watt (equivalent) BrikPower Fluorescent soft boxes with Fluorolite diffusion panels 20,000 Lumens each. Total of 14,000 equivalent watts or 140,000 lumens

4, LED Fresnels (650 watt Equivalent)

1, ARRI SOFTBANK kit:
1, 300 watt Fresnel
2, 650 watt Fresnel
1, 1000 watt ARRI light with Chimera

3, Carbon Fiber 300-watt Impact spotlight with barn doors)

5, HighTech LED Tungsten Balanced 100Watt (1KW Equivalent Tungsten) 9000 lumens (Broad)

CAMERA SUPPORT:
1, 3.5’ x 5’ “ride on” dolly

1, Camera Crane and motorhead - crane can be configured for 12’,18’,24’

1, Ultra heavy duty Lynx Tripod rated at 2500 lb. with Mitchell riser head. For heavy Panavision camera loads or camera crane.

3, Manfrotto 3066 Fluid head, bowl leveled, tripod suitable for teleprompter and/or jib arm with wheeled dolly

1, Manfrotto 501 Fluid head, bowl leveled, tripod and spreader

1, Manfrotto 501 Fluid head with lightweight tripod

8’ Jib Arm
Can be configured for fluid head or remote–controlled motor head. Can also carry Hollywood receiver or 5/8” mounts for lofting lighting to speed production set-ups.

Camera Crane

Can be configured for 12’ Jib arm, 18’ and 24’ crane lengths. Can be configured for fluid head or remote–controlled motor head. Can also carry Hollywood receiver or 5/8” mounts for lofting lighting to speed production set-ups
  • do NOT contact me with unsolicited services or offers

post id: 6962785781

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